Oh No! Yoko Press

Gold Soundz (Toronto): Oh No! Yoko

“British Columbian indie-popsters Oh No! Yoko make the kind of raucaus, exhilarating indie-pop that makes people want to move around and stuff.”

Full articles here.

Discorder: Oh No! Yoko Review

“There’s good reason for all the buzz surrounding these teens, as Oh No! Yoko may have achieved pop perfection.”

“While their lyrical content can vary wildly, the tropical crooning of Everett Morris was still filled with a surprising amount of punch.”

“Slick guitar licks and great stage presence had the entire crowd dancing wildly — not bad for kids just celebrating their prom night.”

Original article found here.

The Dependant Magazine: ON!Y EP Release Review

“It’s a far cry from the typical stories of hard-partying indie rockers, backstage glamour and extravagant tour buses, but for Abbotsford’s Oh No! Yoko, it’s reality.”

“Nick, Everett and Liam talk and act like a band. It’s clear they’ve grown up together, learned how to think and interact as a cohesive whole.”

“Their passion is infectious, and it’s hard not to get caught up in the fun.”

Published by Jesse Wentzloff on July 21st, 2011

Video by Liam Hanham

Georgia Straight Album Review

Georgia Straight review By Alex Hudson… June 30, 2011 — Full article here.

Pau Pau was released on the first day of summer, but for the three dudes who make up Oh No! Yoko, this June represents a far more important milestone: their high-school graduation. The thrill of new beginnings permeates every moment of this seven-track EP, which teems with jittery postpunk rhythms and euphoric guitar-keyboard interplay.”

“This display of youthful vigour is infectious, and it’s impossible not to be charmed by the relentlessly cheerful vibes.”

“Pau Pau is a fittingly sunny soundtrack to the beginning of beach season. The trio has well-honed musical chops, and these songs are packed with dense rhythms and hairpin structural shifts.”

“Opener, Hatshepsut, is a gleeful whirlwind of blistering Afro-beat rhythms and soaring falsetto vocals, evoking a sugar-addled Vampire Weekend.”

Hatshepsut by FluidArt

“With its simmering grooves and subtle atmospherics, it’s an undeniable display of songcraft that suggests that Oh No! Yoko has a musical maturity far beyond the years of its members.”

ON!Y: College Music Journal

Full review here…

“It’s a rule of thumb that, when you come across a band with an exclamation point in its name, you should prepare to hear something lighthearted and offbeat. Abbotsford, BC’s Oh No! Yoko makes good on that rule, with a synth-laden tropical pop sound and a mantra to live out what the band members call life’s most important values: carelessness, freedom and fun.”

“ON!Y sounds sort of like a cross between Tokyo Police Club and Minus The Bear, with an upbeat, summery atmosphere that includes catchy synth lines, earworm melodies and the occasional gang vocals.”

Oh No! Yoko by FluidArt

Published by: Derek Reed on July 17th, 2011

Bad Fotography Review

I cannot believe this band is “unsigned” and has been allowed to remain “unsigned”. Oh No! Yoko is this other Canadian band that I am really liking at the moment. I really need to check out the Vancouver scene, seriously. Really upbeat fast drums, pop-py Death Cab-esque vocals and Everett Morris plays his guitar strapped really high like Yannis from Foals, occassionally switching to the keyboards, VERY GET UP KIDS, just less emo.

“90s Kids” is such an awesome song, its impossible not to smile at the lyrics and that sing-a-long at the end – excellent touch. Really reminds me of when I was a teenager ages ago, trying to get comfortable in a fitted V-neck sweater in the middle of a sweltering summer, draggin my messenger bag full of buttons with me.

90s Kids! – Oh No! Yoko by FluidArt

Blalock’s Indie/Rock Playlist

Written by Matt Adler… click the name for the full review.

“Without an official release to reference or draw some larger impression, the band has made some of the catchiest and hook-filled tunes that have flew (somewhat) under the radar.”

90s Kids on their Bandcamp page is a delicious jaunt down memory lane for all of those who lived the bulk of their childhood during the decade.”

Einstein Music Journal: Oh No! Yoko

By Nick Fulton and Sarah Gooding

Are Canadian kids really leading a ’90s alternative pop revival? Oh No! Yoko definitely seem to be attempting it, as do a bunch of other young bands in the Vancouver area. Maybe it’s the fact that they sound a little like Tokyo Police Club that has me on that train of thought, but hey, I’m no expert on the subject, you’ll have to make up your own mind.

At just sixteen years of age Everett Morris, Nic Denis and Liam Hamilton are all still in High School. However that hasn’t stopped them from recording a bunch of songs that sound cleaner than most other bedroom pop projects. They’ve been lining up and gradually winning fans in Vancouver for the past four years and their song ‘Courtyard! Bankrupt!’ has had extensive airtime on Canada’s CBS Radio. They even performed live during the recent winter Olympics, on the same bill as Tokyo Police Club.

But like a lot of young bands they’re still experimenting with different techniques. Liam and Everett once played in a metal band together and if you listen to the three tracks they have on their Myspace page you can hear multiple influences. ‘Courtyard! Bankrupt!’ is bouncy and synth heavy, with a TV themed sense of humour reminiscent of a late ’90s after-school teen drama. ‘Deer In Japan’ takes on Death Cab For Cutie, all electronic clicks and clouded in shy romanticism. While ‘Yellow Babies’ is the band’s attempt at writing a guitar, bass and drums song, focusing on sound over aesthetic.

Oh No! Yoko has also benefited from an emerging support base in Vancouver, fed by local religious groups. Even though the band has no church affiliation they’ve become involved with For Ones Coming After, an organisation dedicated to putting on live shows in churches and amphitheatres across the city, with a focus on being all-ages and unlicensed. FOCA has also helped the band make t-shirts, via American Apparel.

They’re currently writing and recording a debut album which they hope to release in 2011.

Published Apr 14th, 2010

Oh No! Yoko Vs. Highschool

“We used to be a four-piece, but we kicked Lucas Thiessen out because he playes Rugby.”

By Julie Colero

Abbotsford, BC… murder capital of Canada, home to many a Menno(nite) and hotbed of high school musical talent. About five years ago, You Say Party! We Say Die! busted out of the small-town-minded city, as did Fun 100. The next wave is now, and it’s awash with musicians who are, honestly, quite happy to stay put. In the case of Oh No! Yoko, a quirky, keyboard-laden indie pop band, they don’t really have a choice—all three members are currently in grade 11, so the occasional school-night show is adventure enough for the time being.

For anyone not attending W. J. Mouat Secondary, a first introduction to Oh No! Yoko was likely provided by the CBC’s On The Coast radio program when they held their Best High School Band competition last fall. Shortlisted to the top 10 were two Abbotsford bands, Oh No! Yoko and Christian hardcore screamo band, We Lay Fallen. The fact that, all of a sudden, moms the province over were into their music, had the boys in the bands pretty darn excited.
“We got lots of publicity,” gushed Liam Hamilton, Oh No! Yoko’s drummer. Bandmates Everett Morris (vocals and keyboards, mostly) and Nic Denis (bass) are just as stoked by the way things played out. The band didn’t come away with the top spot, but they did get an envelope filled with $70 cash! The band’s song “Courtyard Bankrupt” received a healthy dose of CBC radio airtime, and, at the live in-studio finals, they had a chance to play for screaming fans and Canadian music celebrity judges like Lee Aaron and Joey “Shithead” Keithley of D.O.A. fame.
As much as the boys really wanted to win the top prize and share a bill with their beloved Tokyo Police Club, they’re pleased with the two Feb. 13 slots they were given at Cultural Olympiad events.

“It’s during the Olympics,” said Denis. “There’ll be lots of people from all over the place that haven’t heard of us that might just be stopping by, thinking ‘There’s no events going on right now. So let’s just stop, have a hot dog, and watch this.’”

Oh No! Yoko is a crowd-pleasing band, to be sure. With clever, at times remarkably nonsensical, lyrics, Morris stands tall and assured at the helm of a band that seems to revel in its goofiness. The boys are completely earnest, however, in their love of music and are totally committed to making the most of their current good fortune. Besides, they’ve worked long and hard for this.

“Liam and I had a two-man band for a little while in grade 5,” explained Morris. “We played some metal music and it was pretty fun.” Somewhere along the way, the band experienced a genre shift, and in grade eight, the two boys asked their friend Nic to join in. “We used to be a four-piece,” admitted Hamilton, “but we kicked Lucas Thiessen out because he plays rugby.”

And so it seems to go. All three have devoted varying amounts of time to bettering their musicianship (Morris is still taking piano lessons, Hamilton claimed he took one drum lesson and taught himself the rest and Denis admitted he only took up the bass because he knew the band needed a bassist). Meanwhile they continue to find time to participate in track and field, work part-time jobs and excel at their French immersion studies. Did I say excel? Perhaps it’s a good thing that I didn’t actually get any solid quotes from the boys’ teachers…

But who needs good grades when you’re in with the scene? The Abby scene seems held together by the strong bonds of religion—and turns a blind eye to musical genre. There is no shortage of churches making their gyms and amphitheatres available for shows. Show bills are diverse, but inclusive. For Ones Coming After (FOCA) is an organization currently putting together live shows around the Fraser Valley. We Lay Fallen’s bassist, Joel Trask, explained the nature of this group: “FOCA is a non-profit organization that supports less fortunate youth in the lower mainland. They also help out local bands with things such as getting shows and T-shirts. They put on FOCA events with all the FOCA bands in order to raise money for good causes.”

Oh No! Yoko claim no church affiliation, but the band has seen nothing but love from the local community.
“We’re friends with all the other bands, too,” said Denis. “We just help each other out.”

The band particularly enjoyed a recent show at Northview Church, where getting on the bill proved quite simple. “We just go there and have fun. They always welcome us,” explained Morris.

“They asked us to not have any swearing in any of our songs, or vulgarity or whatever, but we don’t,” added Hamilton.

If you’re looking to listen to some of Oh No! Yoko’s music, the band has yet to produce more than a handful of CD-Rs, but they’ve got a ton of tracks available on their MySpace page, which also contains nonsensical posts and awkward/awesome photos. To provide some tangible support, you can always wear a one-of-a-kind pin, hand-made by Hamilton in Art class (Thanks, Ms. Lam!).

So much of what Oh No! Yoko is all about reeks of d.i.y. cuteness.

“We usually write our songs based on people in our school. Stuff that happens to us,” explained Hamilton. Morris credits lyrical inspiration to “relationships, as in friend-wise, not like passionate lovers.” After making this comment the group falls apart laughing, as they do after most questions. It is certainly a sense of comedy, most notably a charming toe-in-the-water approach to sarcasm and cynicism, which keeps these three creative. As to where inspiration starts, Denis explained that “a lot of it just comes out of our heads, on the spot, and sounds like it would be funny if it actually happened. Most of our songs, to us, are hilarious. We’ll take one situation and over-exaggerate it for an entire chorus.”

According to Morris, who acts as a leader, the band’s music is nevertheless a collective from start to finish. “We just chill in Liam’s basement and write lyrics together, see what fits best and stuff.” The boys have been friends since pre-school and they’re eager to see where the music will take them, but are also realistic in their goals.
“Maybe we will tour or something, [but] I don’t plan on getting extremely famous or anything,” Morris said.
“It’s kinda hard nowadays,” Denis said, commenting on the concept of touring and making it as a band. “You don’t make as much money. You still have to go to school to have a back-up plan.”

Sounds like somebody’s been listening to his guidance counsellor! But no doubt a good deal of credit is also due to the boys’ parents, who support what they are doing wholeheartedly, even if it means driving them down to East Hastings, like it did for their first gig.

“It was scary!” Morris said about the area around the Chapel, where they played during grade nine. Apparently a trip to Subway, sponsored by Hamilton’s dad, smoothed things over and paved the way for repeat big-city visits and a fan base build-up.

What the fans love about Oh No! Yoko is their wacky spirit and catchy harmonies—the music may even be secondary to onstage antics and online presence. This is a band very much focused on three guys having fun. They like their classic rock, and their metal, and are into new stuff, too (“Not like Much Mega Hits, but, like, the Wedge and stuff,” Morris asserted). And while their sound is not necessarily ground-breaking, the seeds of good songwriting have been sown. Morris’ song-writing skills, as often as he’ll stick to the story that he “just put[s] stuff together,” show incredible promise. Everything the kid touches turns to catchy. His solo project, A Soccer Practice, demonstrates that catchiness (and his Midi/Autotune proclivities) to a tee.

Oh No! Yoko has stumbled across a great deal of luck in the past year. They came second at the Abbotsford High School Battle of the Bands last spring. After the band’s CBC win, they were nominated as one of the Top 10 High School Bands in a YouThink/Tom Lee competition, the winner of which will be announced early March.

This is a band that wants to play to the masses and get noticed, but they’re still happy to represent the kids on the home-front. “There’s a lot of good bands around here [in Abbotsford], just unheard, right?” Morris said. Bands like the Birch Taxis, We Lay Fallen, Rags to Radio and Ivory Coast are all tearing it up in churches and nut barns across the Fraser Valley, so you can either board that West Coast Express or cross your fingers that the big city’ll keep drawing them in.

Published March 3, 2010